Copyright, All Rights Reserved.

Copyright, All Rights Reserved. All content on this site is copyrighted, Dana Worley, as of the date of posting. Reuse or redistribution of this content is strictly prohibited without express written permission of the author.

Sunday, November 27, 2016

Holiday Candle Dish

Finished candle plate in green Fusers Reserve
Finished candle plate in green Fusers Reserve
This time of year finds many of us in the studio looking for quick projects for holiday markets or gifts. I don't often work in "production mode", but in this instance I was looking for something that I could create multiple pieces of, for our local Winter Gift Market and for the artists' co-op I belong to. I decided on a candle plate in holiday colors.

Following is a quick tutorial on how to create this simple but beautiful holiday gift item. The size of this plate means it requires minimal materials, and it is created with a single firing. This means that you can offer this piece at a reasonable cost for holiday shoppers or give one to all of the people on your holiday gift list!

4" squares of Fusers Reserve green/red/white and clear
4" squares of Fusers Reserve green/red/white and clear

Candle Plate Materials

  • 4" square of colored glass (I've used Spectrum's Fuser Reserve in green/red/white and in red/white)
  • 4" square of clear glass
  • Clear coarse frit
  • Medium frit in complementary colors
  • Mica powder (I used bright gold)
  • SuperSpray
  • Rubber bump-ons


Mica-coated frit
Mica-coated frit

Put some clear coarse frit in a container. Add a small amount of SuperSpray and then sprinkle in some mica powder. Mix well and spread the mica-coated frit on a paper towel to dry.

Lay out squares of clear
Lay out squares of clear

Arrange the 4" squares on a sheet of craft paper. The craft paper catches the frit and makes clean-up easier.

Top squares of clear with colored glass
Top squares of clear with colored glass

Top the squares of clear glass with the squares of the colored glass.

Sprinkle with frit
Sprinkle with frit

Sprinkle on more clear coarse frit, and then the medium frits in complementary colors. Finally, sprinkle on some of the mica-coated frit. I tried to keep the centers of the candle plates relatively free of large frit pieces so that the candle will sit flatly in the middle.

Ready for firing
Ready for firing

The squares are now ready for firing.

Place the pieces on a kiln shelf prepared with kiln-wash or shelf paper, and fire to a contour fuse. I used the following schedule in my kiln; you may need to adjust for your kiln. Note that this kiln-load had a few larger pieces (8x12"). The bubble squeeze hold and longer annealing hold reflect this.

Firing schedule

Add bump-ons and sign the back
Add bump-ons and sign the back
Close-up of the glass
Close-up of the glass

After the pieces were fired and cooled, I cleaned them and used a diamond hand-pad to smooth any stray frit from the edges. I finished them by signing and adding rubber bump-ons to the back.

Keep in mind when cleaning that some of the frit edges could be sharp! You can smooth any sharp points with a small diamond file or hand-pad, but be careful not to mar the finish of the plate.

Finished candle plate in red fusers reserve
Finished candle plate in red fusers reserve

For the Winter Gift Market and co-op gallery, I plan to wrap the plate along with a small candle, in clear cellophane to create a "grab and go" gift item for market shoppers.

I hope this short tutorial inspires your creativity for the holiday season. If you have questions or comments, leave a note in the comments below.

Happy Holidays!


Learn More!

Want to learn more about fusing? Check out Bullseye Glass Educational Videos (click on the banner below)
Bullseye Kiln-glass Education Online

Friday, November 25, 2016

Glass Craft & Bead Expo 2017 - Noteworthy Instructors

"Summer" from my Origins series of bowls.
This recent piece is a result of the culmination of
techniques I've learned from the great instructors below.
Class registration will open November 30 for one of the art glass industry's premiere exhibition and educational events, The Glass Craft and Bead Expo. Now in its 22nd year, the Expo will be held at the South Point hotel in Las Vegas, NV, March 29 through April 2, 2017.

I have attended the Expo for several years now, and have had the opportunity to take classes with some of the instructors on the 2017 roster. In case you are new to the Expo or unfamiliar with the instructors, I thought I would highlight my favorites (listed in alphabetical order).

Dennis Brady

Dennis is one of the old-timers gracing the halls of the Expo. A few years ago I took a mesh melt class with Dennis. While I learned a lot about high-temperature melts, I also learned many tips about glass fusing in general. Dennis has a wealth of knowledge and shares it generously. He teaches classes on high temperature melts, cold-working, and the "business of art".

Margot Clark and Dr. Saulius Jankauskas

Margot and "Dr. J" are the faces behind the Unique Glass Color line of fusible glass paints. They offer project-based classes where you learn a variety of techniques and tips for using UGC products. Many of the skills you learn in their class transfer to the use of other manufacturer's paints as well. Margot is an exceptional artist and a great instructor. If you want to learn more about the possibilities using glass paints, this is a great class to take.

Michael Dupille

Michael is one of the pioneers of the studio glass movement. He has created art for many public installations and has a wealth of knowledge which he shares during his classes. His expertise includes working with frits, glass powders, and glass medium to create glass masterpieces with visual depth and texture. Michael has a quirky sense of humor which complements his relaxed teaching style.

Patty Gray

If you are looking for a high-energy, multi-day class with so many ideas and techniques that your head will spin, Patty's class is the one to register for. You will make bowls and boxes, learn techniques for using paints, frits, strips, and micas, and get hands-on experience with a variety of cold-working equipment. Patty is well-organized and keeps the class moving at a fast pace. Her classes are a lot of fun and will give you a variety of skills to help you advance in your fused glass art.

Janine Stillman

Janine is the Master of Glass Combing at the Expo. Janine focuses on what I consider "glass combing with intention". Rather than just throwing glass strips together, combing with abandon, and hoping for the best, you will learn how to plan and execute your project to create visually appealing designs. Janine's combing classes are great to get you over the fear of manipulating hot glass in the kiln, while learning all the aspects of doing so safely. She covers color selection, and provides many ideas for finishing off combed pieces and using them as design elements in other bodies of work.

Lisa Vogt

Lisa is another fabulous teacher who is well-organized and has a wide range of techniques which she shares. A few years ago I took a design class from Lisa, which has been helpful when considering the design of my work. A class I took last year covered the aspects of several advanced fusing techniques. including creating larger vessels and ways to make your work unique. Lisa is a fun and engaging speaker. All of the classes I have taken with Lisa have been lecture-based, rather than project-based. As someone who has been fusing for several years, I am not necessarily focused on what great project I can make in a class, but what knowledge I can gain. I have found Lisa's classes very informative and just what I needed to advance my work. (Side note: The backdrop for this blog is a closeup of a piece I made after returning from one of Lisa's classes.)

11 and 14" bowls, using design,
combing, and coldworking techniques


Each of these instructors is kind, generous with their knowledge, and just all-around "good folks". If you are wondering who to take classes from, they would all be at the top of my list. Keep in mind that classes for these instructors fill up quickly, so don't delay in signing-up once registration is open.

If you can't travel to Las Vegas to take classes from these instructors, Dennis, Margot, Michael, and Lisa offer on-line webinars with Glass Pattern Quarterly, as well as videos for purchase. All of these instructors contribute to on-line forums and have free tutorials on their websites.

If you have questions about these instructors or other instructors, drop me a note. There are some whom I have taken classes from who aren't mentioned above. (Keep in mind that I will NOT respond about any "bad experiences" I might have had in a class in a public forum, but I will answer questions in a private exchange.)

See you at the Expo in March!



Instructor Web Sites:

Other Resources:

Bullseye Kiln-glass Education Online

Sunday, November 13, 2016

Glass in the Garden

Flowers still in bloom at Red Butte Garden
Flowers still in bloom at Red Butte Garden
Now in its 14th year, the Glass Art Guild of Utah is holding its annual Glass In the Garden Art Show and Sale at Red Butte Garden in Salt Lake City (

The Guild held its artists' reception January 12th. Artists were on-hand to talk about their work with garden visitors and enjoy the lovely fall afternoon. The combination of nature, glass, and festivities made for an enjoyable afternoon!

The Guild's 2016 show runs through December 18th. I hope you'll have an opportunity to visit the glass exhibit and gardens, and perhaps take home a piece of one of a kind artwork. There's nothing better to add sparkle to the holiday season than glass! 

For a peek at the spectacular work available for sale during the show, enjoy this video taken at the Artists' reception, posted on YouTube:

I would like to thank Red Butte Garden for working with the Glass Art Guild of Utah for these many years to bring beautiful glass art to Salt Lake.


Want to learn about Glass Fusing? Check out these resources:

Glass Art Guild of Utah

Bullseye Glass Educational Videos
Bullseye Kiln-glass Education Online